Contemporary Drawings
by Michelle Flanagan

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[Drawings]

::Expressive

::Realistic

[Sculpture]

::'Flamingos!'

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Glossary of Art Movements, Page 2/N-Z

Nabi:
Inspired by Gauguin's use of color, this group of Parisian artists were active in the 1890s. They were unconcerned with depicting reality, preferring the emotional use of color and distortion.
Neo-Classical:
Influenced by the classical concern with symmetry and order and the eighteenth century's fascination with science, this European movement was fashionable during the Enlightenment.
Northern Landscape:
Paintings of Northern European countryside on a large scale, in particular the Netherlands and Germany. This genre was most popular in the sixteenth century.
Pop Art:
A movement of the 1950s inspired by advertising and consumer society, artists such as Andy Warhol and Richard Hamilton produced works reminiscent of comic strips and advertising.
Post-Impressionist:
A late nineteenth-century reaction to Impressionism, this group explored a symbolic use of strong colors and form rather than concerning itself with naturalism.
Post-Modernist:
Late twentieth-century artists challenged traditional notions of what art actually is with a variety of different works, they are always experimental and innovative.
Pre-Raphaelite:
A British artistic group formed in 1848 that emmulated Renaissance painters. The subject matter was often historical or literary, and concerned itself with morality.
Realist:
Art that attempts to represent the world in an accurate or familiar way. Everyday scenes are favored over idealized, historical, or mythological subjects.
Renaissance in the North:
From the sixteenth century, the Netherlands and Germany were influenced by Italy but the "rebirth" of their art was concerned with religious reform and ancient Christian values.
Rococo:
This eighteenth-century style is highly decorative and ornamental. Popular in France, the palette was often pastel and the subjects were playful and erotic.
Romantic:
An American and European movement of the late eighteenth century. The works were idealized and emotional rather than intellectual, laying importance on individual experience and expression.
Spanish Baroque:
The seventeenth-century Inquisition influenced Spanish art, encouraging devotional works. Mythology and still-life were also popular but painted in a dark palette.
Surrealist:
Dadaists were disillusioned and reacted against the destruction of the First World War, creating absurd anti-art. Surrealism developed from this in 1924, representing dreams and pure thought inspired by the writing of Sigmund Freud.
Symbolist:
Interested in dreamscapes and emotional, often exotic scenes, this late-nineteenth-century movement was inspired by literature. The works often use color and line to suggest and evoke.

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